{"id":3677,"date":"2025-06-17T16:35:37","date_gmt":"2025-06-17T16:35:37","guid":{"rendered":"https:\/\/steffenfreiling.de\/space-over-time\/space-over-time-tracing-space-and-time\/"},"modified":"2025-11-26T09:35:48","modified_gmt":"2025-11-26T09:35:48","slug":"space-over-time-tracing-space-and-time","status":"publish","type":"page","link":"https:\/\/steffenfreiling.de\/en\/galleries\/space-over-time\/space-over-time-tracing-space-and-time\/","title":{"rendered":"Space over Time: Tracing Space and Time"},"content":{"rendered":"\t\t
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Space over Time: Tracing Space and Time<\/h1>\n
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\nThis page leads to three curatorial sections within the Space over Time<\/em> series. Each section illuminates a different phase of artistic development \u2013 from the first experiment to site-specific condensation. \n<\/p>\n\n

\nThe division follows both a chronological<\/strong> and a content-related progression<\/strong> : A phase of playful experimentation is followed by a conscious deepening of the method and finally an atmospherically dense engagement with specific places.\n<\/p>\n\n

\nWhat unites all works is the desire not to depict space and time, but to render them as fluid, visually perceptible transitions between structure, perception, and emotion.\n<\/p>\n\n<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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I. Origins and Exploration<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Space over Time’s<\/em> beginnings were characterized by playful curiosity and a spirit of technical exploration. Initial experiments with rotating objects \u2013 first during a winter vacation, later with custom-designed turntables and adapted electronics \u2013 opened up a new visual space. Step by step, the realization grew that the slit-scan technique could capture entirely new structures of space and time<\/strong> . <\/p>

This phase includes series of works such as The Berliners<\/em> , The Blues<\/em> and The Reds<\/em> . They mark the search for a unique visual language \u2013 raw, experimental, open to surprises. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Berliners<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Blues<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Reds<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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II. Expansion and Transformation<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In the second phase, the spectrum is deliberately expanded. New mechanical setups, complex mirror installations, and altered lighting enhance the expressive possibilities. The setups become more elaborate, the visual worlds denser, and initial exhibitions and sales give the artistic work a new direction. <\/p>

The works of this period show a growing maturity \u2013 and a clearly noticeable deepening of the method. Series such as The Move<\/em> , The Wishful Thinking<\/em> , and The Coral Gables<\/em> belong to this phase. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Move<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Wishful Thinking<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Coral Gables<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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III. Site-Specific Consolidation<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The third phase leads the developed visual language into a site-specific condensation<\/strong> . The series gathered here connect personal experiences with specific places: travels, exhibitions, encounters and conversations \u2013 including in Miami \u2013 become starting points for new works. <\/p>

Miami Twice<\/em> , The Way to Montauk<\/em> , and The Garden<\/em> bear atmospheric traces of these paths. They condense what has been achieved so far into an emotionally and formally intense expression of space and time \u2013 as an experience, not as an illustration. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Miami Twice<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Way to Montauk<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Garden<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Space over Time: Tracing Space and Time This page leads to three curatorial sections within the Space over Time series. Each section illuminates a different phase of artistic development \u2013 from the first experiment to site-specific condensation. 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